. ...‘.- .,,. ,.__._......._-.-.. .. ..- J- €Enaa11vot r _ For Fear the cauows W211? " W-“in . -«E. ... 42, L_ ....| , caudauflwnfiokemfi u r illissolu-iaGreaterState . .. y i Gfihoauaher of lbeeurii ;.'.:...-*-.:.r.-.*:-r:;:-...::*‘~'*=*'~°*.....; ...... .....~ .9; e -» -en we "“"°""""""”".”""""’,,’,°""""" “mu . ‘fin-nnuutsesuunmoncsiso. ;'.':.'°‘h:”ihu~A.‘”_.:‘i”.‘M~'hfil »” "flu" u,,d.“,;'~ {‘ ‘ H . eiety’fit..I1IsoIIrl is conducted from room to ’—“F'¢‘*""‘*"|“-'*"*"°"""""""°"°"P“‘ """' i &”u”£ munmm:%’7: *1"-a""'°'|*5°'l‘5‘°"°°'°"”*"'U'l""“7 ‘h. . ..‘..‘g|.£mout-uitlittestate'sfec1mdit1andtar- IlI_iaaoIl'ilih'Il7IaoIIeoft5e-floItIIBu8I- tadmxaway. . b.d”mn of Han flu m ruin-nunuuipuua the ‘1'heoaewhod¢l:asasuceu§al1Ilalt;'Ien ‘y#%.wm W mum hm M Emu ““ ____.. ..a'otn;naachtln\etothetxr ootprlaed lies- 5 1.3.1 authors axfdullissonri cs:-u-s. but-N," 1IIpOa. lo:-these hold him. ,Pduter's‘ink never 14'oot.herpi:-ftoutae peniatstiarongh ‘ cfitllfhl. Ill u?till!g”gian$t3wto¢et_he_s'inint::zestorerthe ol"'l‘am8Iwr¢?."the!irat leaflet tiun at hookplatee sonal. It nowhas a collection of about two hun- dred plates. . A great many persons are interested in own- ing hookplates, according to Mr. Collins. Re is called upon quite often to give advice or reflex-ences to students and others interested in 'IiiaaGladyaI‘heatdd¢IedthistorRalph l’attu.,a1onraall—uuleut. ielecting the design for their plates. o‘... editor Intheetatewroteinfogintormationonboob 'lieoffiehleathyW.I.Oallu.ioedia Missouri library book. ._ interior has been much used. Literary. bio- decorative and pictorial illustrations r devices at one time was the rebus. Words similar to the name were shown in pictures. wAn example of this isthe plate of Helen and George Beach which shows a of ore on which appzar a male and a female figure. Well-known artists have at time givm their attention to designing book-plates. One of the best known of these men was William Hogarth. Paul Revere, who was an engraver by trade, duigned a number of plates. The designing of a’ hook plate is described by Zella Allen Dixaon of the University of Chi- ‘ ' -Plates.” Her ,......... -.. . Journalism library on the M 0 (lost. nd D mountain trail of the pathfinder-s. in these two collections repose the exalted and the lowly. Here rest today the records of three and a half million Missourians. Beyond stretch a century and more of ancestral work- ers. Here are included the permanent and the passing contributions of an American common- wealth to the letters and press of a nation. No‘ other source so stimulate.-I, so inspires. -Ranking second only to the collections of nturc is today a subject for study in club and class. “A Century of Missouri Literature." “Missouri Verse and Verse-Writers," “Missouri Fiction," are indicative of recent exploitation: by scholars. The 50,000 card index of Missouri 1‘ newspapers. begun in 1924 and growing 5,000‘ ‘ monthly. indicates the erentganlo size of the new urn press within liasouri authors and journalists have wrought well. Their work presages even greater Ind ‘given place to aehieveln iridualism has‘ ’ {aka have merged i A score f writers uphold the state o lliasoori standard of Field and Twain. o{}£e0u1la¢h.aul Pulitzer. Without enjoying that isolation of the conspicuous few, those of today are perform- ing more work and doubtless as lasting as their Titan {orhears of the century past. 9 sign was due to his novel which used the famous cathedral as a plot setting. George Washington used the family crest {or his plate. — From this crest our national shield was taken. and the United States flag was sug- gested by it. One sun. The motto "Tout bien an rien" appears on a band at the top. - The hook-plate of the University of Missouri is ' taken A e sta . a wreath of laurfl and oak leaves in which are fieloflers U offl. Below on either sideare oonwen pile; The oftheowisercanbeeapressod the he. The is ‘ifiiiii itiig zit ‘iii Above it is . .a».. .._ _ _ . u I ‘'‘‘.-.A‘. .: .' ' -hobs _ . _ ‘Cy . A ‘ to _ ' ' '.__:! ‘n... . . , - 3,; .V... 1.. -‘.‘ . -‘ . ‘ r - e ‘ .~ I’ . ' . ~u-‘... .'-so-an-—;..aa.o.-¢b§1.-c@.9 ‘, .~ . - e ' n. ..