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Title: JM-C018: Conversation between seated man and woman
Summary: Editorial cartoon depicting a man and woman sitting across from each other. The man slumps in his chair, with his head resting on his hand, and the woman sits forward on her chair, with clenched fists raised.

Title: JM-133: Portugal goes Republican
Summary: This cartoon depicts King Manuel II fleeing Portugal after the Republican Revolution, which occurred in 1910. Before the revolution, Portugal had a constitutional monarchy, modeled in a similar fashion to that of Great Britain. In the decades before the revolution, the monarchy faced adversity by lower factions of society. The monarchy ruled Portugal in combination with aristocratic oligarchies, which maintained a relatively stable political status quo. Eventually, these oligarchies failed to maintain power, and the political situation in Portugal became increasingly unstable. Hatred for the monarchy grew to the point when King Carlos and his first son where jointly assassinated in 1908. Manuel II began to rule Portugal in his father’s place, but failed to quell the urge to rebel among his people. On October 5, 1910, the violent revolution began in Lisbon, leaving hundreds dead in the struggle. Manuel II and his family fled, hoping to receive news that loyalist forces managed to overcome the revolutionaries. After realizing the revolutionaries had succeeded, Manuel II fled to England. The English government sympathized with the Portuguese monarchy. The new republican government maintained power and Portugal never returned to a constitutional monarchy structure. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-289: Dancing to the spring song
Summary: Editorial cartoon depicting men representing nations dancing around "war" organ grinder. The League of Nations watches from a window.

Title: JM-189: Compromises
Summary: The top panel of this cartoon depicts President Woodrow Wilson meeting with other world leaders at the Paris Peace Conference in 1919. The Paris Peace Conference began after the armistice agreement for World War I, and it eventually produced the Treaty of Versailles. The four men meeting depict the leaders of the “Big Four” Allied powers of WWI. The Big Four nations were the United States, led by President Woodrow Wilson, England, led by Prime Minister David Lloyd, France, led by Prime Minister Georges Clemenceau, and Italy, led by Prime Minister Vittorio Orlando. These men are creating secret treaties, which is in contradiction with Wilson’s “14 Points” speech. The first point in this speech is “Open covenants of peace, openly arrived at, after which there shall be no private international understandings of any kind but diplomacy shall proceed always frankly and in the public view”. This point was created to address the practice of secret treaties between nations, which many contributed to the beginning of World War I. The 14 points are conspicuously placed in the garbage at this meeting. The bottom panel depicts Uncle Sam showing Woodrow Wilson ways to protect the United States while signing treaties with other nations. This panel is captioned, “he ought to be able to compromise now to satisfy the interests of his own”. This caption is used to suggest there may have been conflict between President Wilson’s interests and the interests of the United States. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-109: Well, General, you put up a magnificent fight. 109
Summary: Editorial cartoon depicting a scene of surrender: Nogi Maresuke gives Anatoly Stoessel peace laurel, receives sword. Stoessel surrendered on January 1st, 1905 after the fall of Wantai to the Japanese; the surrender was accepted on January 2nd, 1905.

Title: JM-224: Cartoons of the day. 224
Summary: Editorial cartoon depicting three different things in three separate panels: a man suggesting Constitution Week and Uncle Sam refusing, the same man imposing limitations of air armament on top of naval limitations in the U. S., and a personification of Germany on trial for—ostensibly—war crimes.

Title: JM-182: The new income tax
Summary: This cartoon depicts a man being irritated with the high income tax rates in the United States. The man suggests the reason for the increased taxes is the fact the the United States is currently fighting in World War I. The man continues to complain about the income tax until he passes a group of soldiers. The man realizes his financial sacrifice is less than that being made by the men serving in the military. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-072: Wedding vows, now and then
Summary: Editorial cartoon depicting six panels comparing and contrasting old fashioned weddings to contemporary ones, where the vows are temporary.

Title: JM-086: The captain and crew of the William P. Frye, which--
Summary: Editorial cartoon depicting a ship labeled the "William P. Frye" being sunk by a ship labeled the "Prinz Eitel Friederich." In the next panel, the crew of the Frye waves the Friederich ship on as it sails to open sea. British cruisers can be seen near the horizon line on the water. The William P. Frye was an American merchant vessel sunk in 1915 after encountering a German ship.

Title: JM-095: It's easy to get help when you don't need it and hard when you do
Summary: Editorial cartoon depicting a man who is morose in first two panels; he sits with a notice about rent while four other men stare and talk among themselves. In the last two panels, set several years later, the man is smiling and in new clothes while at a job; the four other men run over to him with arms outstretched.

Title: JM-079: A good New Year's resolution
Summary: Editorial cartoon depicting a hand writing out a check from the National Bank of Chicago for the "Italian Relief Fund." Behind the hand, figures representing New York, St. Louis, California, and Chicago all carry bags or baskets labeled "Relief for Italy."

Title: JM-177: Winning the war
Summary: The cartoon depicts the personified Germany crawling his way across Europe during WWI, representing Germany’s military advances during the war. The top left panel is captioned, “words won’t win the war”. This meant words could not be used to cause the German surrender. The top right panel is captioned, “wishes won’t win the war”. The panel shows Americans watching Germany from across the Atlantic, wishing the German people would overthrow Kaiser Wilhelm II. The middle-left panel shows those same Americans shouting in outrage at the Germans over American deaths from the war. The panel is captioned, “wrath won’t win the war”. The middle-right panel shows Americans displaying the vast wealth available for a war effort. The panel is captioned, “wealth won’t the war”. The bottom panel shows the Germans finally being stopped after being hit with the butt of a gun. The panel is captioned, “But wallops will win the war!”. This cartoon suggests aggressive force was the only way for the United States to defeat Germany in WWI. This cartoon was created in 1917, and the US official participation in WWI was from 1916-1917. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-217: Next on the program will be a sprightly juggling act. 217
Summary: Editorial cartoon depicting two tariff orators--one from the GOP and the other from the Democratic Party--backstage preparing to face off in front of spectators.

Title: JM-198: Congress is all out investigatin', Congress is all out investigating
Summary: Editorial cartoon depicting two men on a porch watching multiple Congressional committees investigating various things, such as a crime wave, railways, the peace plan, the "Tea pot dome oil lease scandal", charges against Bolshevism, and several different propaganda groups.

Title: JM-305: Trying to prove that all things come to him who waits
Summary: Editorial cartoon depicting nine men waiting outside FDR's door.

Title: JM-060: A political discussion
Summary: Editorial cartoon depicting a man and a woman sitting at a table, seemingly in conversation.

Title: JM-266: Confidence
Summary: Editorial cartoon depicting Hoover, holding a "Continued Prosperity" banner, leading the G.O.P. elephant across the "Bridge to the Presidency".

Title: JM-066: How to raise more taxes
Summary: Editorial cartoon depicting three different scenes. In the first panel, women re-entering the United States with Mexican divorce papers are charged a tariff on the divorce. In the middle panel, a nobleman is leaving his wife, an American heiress, at home to go and buy some cigarettes. In the bottom panel, two men discuss going home if the exchange rate gets any worse.

Title: JM-078: Three scenes of Uncle Sam excluding immigrants
Summary: Editorial cartoon depicting three scenes in three different panels. In the top panel, Uncle Sam stands in a garden of Americanism surrounded by crows labeled "Unassimilable Asiatic Immigration" and "Undesirable European Immigration." In the middle panel, Uncle Sam is putting up two signs along the coast: "Exclusion of Chinese" and "Exclusion of Japanese Immigrants" while a figure representing Japan, a country who also has exclusion signs for China and Korea, watches. In the third panel, the same figure from Japan gestures with an angry face and Japanese Emigrants behind him, while Uncle Sam proudly shows off a sign welcoming only particular groups of Japanese people: tourists, students, scientists, etc.

Title: JM-314: Victories and defeat
Summary: Editorial cartoon in two panels: U.S. wins battles in Pacific, loses them in Atlantic.

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