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Title: JM-C004: A full house for the Western movie at the theater
Summary: Editorial cartoon depicting the inside of a movie theater. A man on a horse firing a gun can be seen on the screen, and the seats are all filled.

Title: JM-159: The value of ideals. 159
Summary: Editorial cartoon depicting William Jennings Bryan lecturing to earn money in the aftermath of his loss in the 1900 senatorial election. Bryan charged $500 per speech or lecture, and he was the most popular speaker on the Chautauqua circuit from 1900 to 1912.

Title: JM-163: Suggestion for new seating arrangement in the Illinois state legislature
Summary: This cartoon depicts the Illinois legislature in January of 1915. The legislature is divided into two groups, but not the traditional party divides of the Democrat and Republican parties. The two groups are “wet” and “dry.” The members of the legislature sitting on the ”wet” side are fervently against any prohibition legislation within the state of Illinois. The “dry” side is composed of politicians who favor implementing regulations of the distribution and sale of alcohol. The cartoon points out how this issue of prohibition has divided members of each political party, upsetting the status quo of the legislature (grouping by political party). These suggestions for alcohol regulations in Illinois were some of many being proposed throughout various levels of government in the United States at the time. Many found the temperance movement in the United States to be a more moral than political issue, making it a hotly debated topic within the Republican and Democrat parties. This cartoon was created only five years before the eighteenth amendment to the United States Constitution was passed, which declared the manufacture and sale of alcohol illegal. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-167: Two crimes
Summary: This cartoon depicts the Lusitania, an American ocean liner destroyed by German naval forces in World War I on May 7, 1915. The ship was carrying American passengers and ammunition intended for the British armed forces. The top panel of the cartoon features the periscope of the German submarine spying on the Lusitania. Eventually the German submarine fired a torpedo, which killed 1,198 passengers aboard the ship. The bottom panel of the cartoon shows the 173 tons of ammunition carried on board the Lusitania and the innocent, most likely unaware passengers standing above it. The sinking of the Lusitania caused international outrage, but blame for the attack was passed back and forth between various parties. Many, particularly those in Great Britain, blamed the Germans who committed this attack. Others blamed the United States and the passengers, who ignored Germany’s repeated warning that any ship attempting to enter Great Britain would be subject to attack. Many, including journalists for the Chicago Tribune, claimed Great Britain was responsible for this tragedy. Great Britain had placed immense pressure on the United States to deliver arms, and the British government assured the Lusitania it would be protected from German attack. The Chicago Tribune featured an entire article placing responsibility for the sinking of the Lusitania on Great Britain. After detailing Great Britain’s interest in the Lusitania, the author of the article wrote, “England and England alone is to be held responsible for the loss of life because England lured Americans to death, hoping that the presence of Americans would protect the ship against German attack.” (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: JM-166: Two unpopular Europeans
Summary: This cartoon shows two European men in World War I. The first man (in the top panel) is slumping his shoulders and tries to avoid attention. He is refusing to enlist the the military, unlike the other men in his country. The caption for the top panel reads, “The man who won’t enlist for his country during the war”. The second man (in the bottom panel) is proudly walking past a group of women, including women who were widowed in World War I. The bottom panel is captioned, “The man who won’t marry for his country after the war”. Instead of getting married to help begin rebuilding society, this man proudly presents himself as a bachelor. These two men are “unpopular”, because they do not conform with the sense of duty and sacrifice that was developed in Europe during and after World War I. Sacrificing oneself for one’s country was seen as an honorable and moral action during this time period. (Summary created by Mary Delano, MU History Intern, Spring 2018)

Title: Savitar, 1915. Volume 21

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