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CRS851010ENRpage29
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CRS851010ENRpage29
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CR5-13 Though CERCLA makes no express reference to joint and several liability, the courts have unanimously held that the Act makes this standard available at the typical hazardous waste site, where the mixing of chemicals precludes any rational division of cleanup costs among contributing parties. lg] Applied to CERCLA, joint and several liability means that each party involved with a hazardous
CRS851010ENRpage25
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CRS851010ENRpage25
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the formation of pollution liability purchasing groups. The amendment is modeled on the provisions of the Product Liability Risk Retention Act of 1981 (15 U.S.C. 3901), which made similar provision for product liability risks. The provisions of H.R. 2817 are almost identical. To date, neither version has generated much controversy. 5. Release from Liability for Policies Written Before a Specified Date Until
CRS851010ENRpage23
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CRS851010ENRpage23
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are discussed at length in an EPA Fed- eral Register notice (50 FR 33902; August 21, 1985). The notice is attached to this report (see Appendix A). Because of the extensive discussion provided in the notice, the regulatory options are not further discussed in this report. [Note: References to legislation in the following discussion reflect House Committee and Senate floor action as of October 11, 1985
CRS851010ENRpage28
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CRS851010ENRpage28
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CRS851010ENRpage26
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CRS851010ENRpage26
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CRS851010ENRpage30
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CRS851010ENRpage30
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CRS851010ENRpage24
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CRS851010ENRpage24
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Wharton1901p0056
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Wharton1901p0056
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15as. DES GRIEUX No - - (.Still bewildered, but with a growing apprehension) At Chaillet, then? In your strongbox? (.Seizing hi Tiberge! For his arm) God's DES GRIEUX sake - - TIBERGE Listen ? Yesterday I received a letter from your father, entreating me to make one la st effort to find you, and rescue you from — this (DES GRIEUX makes movement) Your mother is an old woman - - her health
Wharton1901p0057
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Wharton1901p0057
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for a woman who is .'sure to desert you as 300 as she itnows you’re ruined? des (St&rtin^ up) Silcnco* Sho must not know • TIDERCE hot .nrtv? ' 0.7 cun you 1 rovont it? DES GRIIJUX c idvit .no at once to the police - the rubners may no traced - I have fri nd 5 who hav > .•.nfluenco - - (Eeôiîatin^) - de Vuicour, who was lore Ju st npw — , The ycui^ i.ian who was hei’h when I eux in? Vâx i
Wharton1901p0054
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Wharton1901p0054
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23. (The inner doors open and DES GRIEUX enters. followed by DE PIEluLEROKT, DE LA RIVE ind|three or f our chevaliers d' industri a. They are talking and laughing as th ey came in.) ( With a cry, rushing Tiberge! DES GRIEUX forward to hi s friend) TI BERGE (In an undertone) Louis - send these men away! DES GRIEUX (Turning to the others) c Piorremont - de La Rive - you’ll excuse me? Ar old friend who com e s to me - - TIRER IE On business DE PIEIRREMONT My dear follow, we've stayed an unconscionable time. . (Bowing to Manon) Madam - - DE LA RIVE (To Manon) It is wo who owe you our excuses. (Bows) MANON (Culling after him) Monsieur de la Rive! DE LA RIVE Madam? MANON Is ...adam de la Rive attending the lectures at. the Sorbonne this ..winter? if She is, I shall be glad to keep a seat for her! 54
Wharton1901p0055
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Wharton1901p0055
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24. Tiberce (To DES Grieux) Send her too. deS Grieux Manon - - rcccnuuct those ge n* (Manon laughingly accompanies the men to the inner room) DE VALCOUR (holding the door open for her) I told you not to be too sure. . (They all go out together) TIEERŒ (Looking after them, catches a glimpse of the card table, the scattered cards, and dripping candles) A gumhling-hell. DES griEUX (Turning pale and controlling himself with difficulty) Wa.j it for tnis you came? TIliERGE (Sternly) No - - Louis, listen to me. Where do you keep your - - your earnings? , (With a contemptuous emphasis on the last word) DES GRIEUX My - - - earnings? TIBERGE (Impatiently) Your money - - securities? (His contempt breaking out again as he glances about the room) For you’re rich, I suppose - - Are they hero? DES GRIEUX (Bewildered) Ho - - In the bank, then?- — TIBERGE 55
Wharton1901p0058
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Wharton1901p0058
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27. DES GRIEUX Is this the time you choose to reproach me? TIBERGE No - - hut to save you if I can! DBS GRIEUX (Mistaking him and. seizing his hands) To save me? Tiberge, can you think of a way? TIBERGE Yes - come with me and lot tho money go (A movement of impatience on Des Grieux’s part) Let it go, I sa. - - with tho faithless woman for whose sake you stole it, with the dupes on whoso passion for her you traded, and the blackguards with whom you shared your gains! - - Don’t you see that the thiof who broko into your strong-box was opening a door for your escape? (MANON’S voice is heard in the card-room, tho doors of which have remained ajar, "Put the lights out - - clear away those glasses - -") DES GRIEUX (Convulsively, seizing Tiberge’s arm) Don’t tell her! Don’t tell her! Mot yot - - for God’s sake, not yet} TIBERGE (Discouraged) U me, rouse yourself, then; wo must go to the police! DES GRIEUX Yes - yes - to the police. (Looking vaguely about him) My hat - TIBERGE (Taking it from a chair and handing it to him) Here — (MANON enters) 58
ComediasFamosasVol3PDFtest.pdf-271
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ComediasFamosasVol3PDFtest.pdf-271
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estraña fineza 1 Duq. Pues no sabéis, que por vos que esté despreciando á dos, he mandado detenerla ? y á entrambas las favorezca! vos haveis de ser mi esposa, Duq. Demás de esto , mis criados si la Corona me cuesta. la han visto , y segun me cuentan* Fénis. Laura , has visto tal desaire? no puede ser como vos. Colm. Bueno es tocar la tercera, Colm. J sus! stñor , no la llega. y hacer el son en la prima
Wharton1901p0053
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Wharton1901p0053
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) Just as long as I please! DE VALCOUR (Theetitcnint^ly) >h‘t be too sure! (The door on the ri ht is hurriedly opened and TIBEEGE (inters. (He wears a short black cloak over his ecclesiastical dress. He is pale -and agitated, MANON, as she sees him, draws back with instinctive apprehension . ) TIBERGE Madam - - (He bows to Manon and de Valcour, with a sharp glance at the latter) 1 s the Chevalier
Wharton1901p0060
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Wharton1901p0060
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29 MANON (Vith childish glee» forgetting her anxiety) Ah! good’ (She takes the paper) ANNETTE (Drawing another object from her pocket) They key of the hotel de Valcour. MANON (Starting) The --- what? ANNETTE (Innocently) They key of the hotel de Valcour. (She points to a slip of paper twisted round the key) With a note. MANON You may go, (ANNETTE lingers - sharply) You may go (ANNETTE goo3 out sulKiL') (Loft alone, MANON Jays the box-tick et anol the key side by sidle on the table) So - - there’s my choice. (She detaches the slip of paper fran the key and reads) "Fearing trouble for you, I place in your hands the key to happines and freedom." - - Trouble? Yes - - there is trouble...! feel it., it's all about me.... (She glances about her nervously) V/hat is it, I wonder? (The door to the ri^t opens and TIBERGE enters. ) MANON (starting) Ahi (She collects herself and faces him haughtily) You, sir? Alone? Where is the cjievalier des Grieux? TIBEHDE (With cold acorn) Safe from you, I hope Madam. 60
Wharton1901p0059
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Wharton1901p0059
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28. MANON (Quickly, to Des Grieux, ignoring Tiberge) You’re going outj Where are you going? • • DES GRIEUX (With an effort at composure) My friend Tiberge had asked me to — to'’do a favor — a matter of business — to — MANON Whose business? DES GRIEUX (Y/ith an entreating glance at Tiberge) His — MANON (Looking suspiciously at Tibergo) Ah - - you’ll be back soon? DES GRIEUX In an hour. TIBERGE (Impatiently, from the threshold) Des Grieux (The two men hasten out together) MANON (Looking after Tiberge) Ah, you robber! (ANNETTE enters from the left) ANNETTE (Cautiously, putting her head in) The hair-dresser, Madam. (Seeing that Manon is alone she advances, drawing a slip of paper from her pocket) The box at the Italians. 59
ComediasFamosasVol3PDFtest.pdf-270
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ComediasFamosasVol3PDFtest.pdf-270
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16 Lo que puede la Aprehensión. mas fon gente de secreto, Duques. Cortesana es como bella. ap. con que dentro de hora y media Fenis Esto es para las almohadas. lo (abra todo Milan. Duques. Donde vos quisiereis fea. Duques. Qué dices? Colm, En dos tabernas Sale Laur. Ya la guitarra esta aquí. lo quedan contando ya; Colm, Lo mejor es, que no temp la¿ mas lo que fe dice en ellas, ni hace gestos
Wharton1901p0130
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Wharton1901p0130
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18- MANON (In a changed, terrified voice) I am looking up, but I can’t see it. (with a cry) Louis--where are you, Louis? on, this awful blackness all about me!. (The HOOF-BEATS come rapidly nearer) DES G. (Struggling for composure) Let me carry you, dear. Don’t you feel me close to you? Put your arms about me . (HE draws her arms about his neck) MANON Ah--ah now you’re close to me. How I’m safe
Wharton1901p0122
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Wharton1901p0122
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10. DE VALCOUR Already -- freedom and honor? MANON Yes - for love is freedom and honour even here. DE VALCOUR Love? Is that it? Always that man between us? (With a laugh) I thought I’d given you time enough to weary of him. MANON You’ve given me time enough to know him at last. DE VALCOUR Well, he’s had his turn and he seems to have made good use of it. (In a tone of menace) I’m sorry his day
Wharton1901p0123
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Wharton1901p0123
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11. MANON (Forcing a smile) Nothing- nothing. I am not well-to-do, and you were gone so long. But I’m not frightened now. What can hurt me when you are here? (Clings to him) DES GRIEUX Hurt you-- what should hurt you? How your heart beats- and your hands are like ice. Sit down, dear-- lean your head against me--so. (Aside) How shall I ever tell her? MANON Ah. I feel better already. ' (she

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