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JM-133: Portugal goes Republican
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This cartoon depicts King Manuel II fleeing Portugal after the Republican Revolution, which occurred in 1910. Before the revolution, Portugal had a constitutional monarchy, modeled in a similar fashion to that of Great Britain. In the decades before the revolution, the monarchy faced adversity by lower factions of society. The monarchy ruled Portugal in combination with aristocratic oligarchies, which maintained a relatively stable political status quo. Eventually, these oligarchies failed to maintain power, and the political situation in Portugal became increasingly unstable. Hatred for the monarchy grew to the point when King Carlos and his first son where jointly assassinated in 1908. Manuel II began to rule Portugal in his father’s place, but failed to quell the urge to rebel among his people. On October 5, 1910, the violent revolution began in Lisbon, leaving hundreds dead in the struggle. Manuel II and his family fled, hoping to receive news that loyalist forces managed to overcome the revolutionaries. After realizing the revolutionaries had succeeded, Manuel II fled to England. The English government sympathized with the Portuguese monarchy. The new republican government maintained power and Portugal never returned to a constitutional monarchy structure. (Summary created by Mary Delano, MU History Intern, Spring 2018)
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JM-189: Compromises
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The top panel of this cartoon depicts President Woodrow Wilson meeting with other world leaders at the Paris Peace Conference in 1919. The Paris Peace Conference began after the armistice agreement for World War I, and it eventually produced the Treaty of Versailles. The four men meeting depict the leaders of the “Big Four” Allied powers of WWI. The Big Four nations were the United States, led by President Woodrow Wilson, England, led by Prime Minister David Lloyd, France, led by Prime Minister Georges Clemenceau, and Italy, led by Prime Minister Vittorio Orlando. These men are creating secret treaties, which is in contradiction with Wilson’s “14 Points” speech. The first point in this speech is “Open covenants of peace, openly arrived at, after which there shall be no private international understandings of any kind but diplomacy shall proceed always frankly and in the public view”. This point was created to address the practice of secret treaties between nations, which many contributed to the beginning of World War I. The 14 points are conspicuously placed in the garbage at this meeting. The bottom panel depicts Uncle Sam showing Woodrow Wilson ways to protect the United States while signing treaties with other nations. This panel is captioned, “he ought to be able to compromise now to satisfy the interests of his own”. This caption is used to suggest there may have been conflict between President Wilson’s interests and the interests of the United States. (Summary created by Mary Delano, MU History Intern, Spring 2018)
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JM-177: Winning the war
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The cartoon depicts the personified Germany crawling his way across Europe during WWI, representing Germany’s military advances during the war. The top left panel is captioned, “words won’t win the war”. This meant words could not be used to cause the German surrender. The top right panel is captioned, “wishes won’t win the war”. The panel shows Americans watching Germany from across the Atlantic, wishing the German people would overthrow Kaiser Wilhelm II. The middle-left panel shows those same Americans shouting in outrage at the Germans over American deaths from the war. The panel is captioned, “wrath won’t win the war”. The middle-right panel shows Americans displaying the vast wealth available for a war effort. The panel is captioned, “wealth won’t the war”. The bottom panel shows the Germans finally being stopped after being hit with the butt of a gun. The panel is captioned, “But wallops will win the war!”. This cartoon suggests aggressive force was the only way for the United States to defeat Germany in WWI. This cartoon was created in 1917, and the US official participation in WWI was from 1916-1917. (Summary created by Mary Delano, MU History Intern, Spring 2018)
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Savitar, 1914. Volume 20
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to the piano they would feel as though they were inlaid. -I03 /l\\.Q.--\\A( ‘ “I 'w0z1.ld'l00/e (1mcm.H.d for a mirror bu! I/zen? ‘was nearer one to be fomzzl larger 2‘/Ian an 1905’ Bryzlrz Im1‘t01z.” I would make for my girl, but the floor was filled with other fellows who had also thought of the same thing. The place was cluttered with men who had good girl judgment——and who had got there just
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