" The substitution of the power of steainfor the strength of"'herses in propelling carriages, coach. es, and wagons, has now been the subgect of gen. oral and sustained interest for more than twenty years; the expectations, even of the less sanguine, have been raised periodically, and after intervals of nearly equal duration, to the full assurance of per. fact confidence, by the reported and apparently en- tire success of some fortunate projector in effecting the complete solution of the grand problem; expecta. tions that have only deepened the total disappoint- ment by which they have been invariably succeeded. There is not at this moment, in this country or in any other, a single instance of a regular land com- munication satisfactorily sustained by steam. On common roads we have never seen any thing better than short—lived and unproductive experiments : on railroads (clcemine defer) they can scarcely be said to have been more successful. On the Liverpool and Manchester line they are only retained by an enormous sacrifice of money, and of the interests of the proprietors. The steam engines used on it are huge, disproportioned, clumsy masses ofmechanism, better adaptcdin their size and structure to the staid and sober pace of an elephant, than to_the rapid flight for which they are used; and though by being urged to the uttermost‘, they have attained velocities approxiniating. nearer to aerial flight than earthly trudge, yet, like" a cart horse goadedto a gallop, they founder themselves, and knock the road to pieces. From all that has yet been made publ'ic,‘we are only warranted to deduce this one conclusion- that every attemptyct made to render steam carriages the means of econmnical and regular inland commu- nication has totally and absalutelyfailed. —“ Reduced to this condition, it may be well to in- quire into our prospects. In there, we may ask, any peculiarity in the nature ofland locomotion, to pre. vent that power which turns the wheels of a boat, from propelling with similar effect, the wheels ofa britchkal? Is there any thing inthe nature of a car- riage so peculiar, that while a steam engine can do the work ‘of a hundred horses, it cannot do the work of ‘four-in-hand ‘I’ Have we attained the ‘ hitherto and no further’ of the power of steam? Knowing. as we do, that the proposed substitution would bring’ about agreat and beneficial change in the mo- ral, political, and commercial state of the empire, are we at last, after hopes so long and so fondly che- rished, so long pregnant with apparent fruition, doomed to discover that we have only been tanta. lized? Are we to find that we have been hunting alter nothinginore attainable, than an.alchymist’s_ stone for converting steel and steam into oxen and ' corn, and baking the bread ofthe poor from the dust of the highway ‘I Is all the mechanical skill of Great Britain at last foiled? Is all her science, all her ingenuity, unequal to the evolution of this small pro- blein,—-‘ with an eng’ne of sixteen horse power, to popel a four horse coach ?' VVhere is the present race of the Bells, the Boltons, and the Watts? Can the government do nothing to foster the invention and bring it to maturity 7 These questions are seri- ous : the answers to them weighty, all-important to us-—to Great Britain. We think they can be an- swered fully and satisfactorily, so as to show, that not in the nature of the thing to be done, but in the mode of setting about it,. is the cause of failure to be discovered. We may be able to detect in each in- vention omissions and elements of self-destruction necessarily involving total failure, and these not in more details, but in the great principles of structure and arrangement.” a .. i’ G ‘ ‘ Then follows it long and interesting account of the several steam engines which have been tried in England, with -an account of their defects; and the reviewer proceeds: . I “ Here then we arrive at the conclusion ‘hr the whole matter. We find that the failures which have hitherto attended all attempts at the steam carriage have arisen, not from any necessary incompatibility between the nature of steam and this particiilzir ap- plication‘ of its power, but from the delicieney of the inventions that have been produced in some of the great elements of structure which we have shown to be essential to success; that it would have beeneasy. from the construction of these en- gines, to_,,predict their failure, as we now predict the failure of‘ all, constructed on the same or on similar principles‘; th"a't,it.was an error to suppose that they were deficient merely in practical details which lur- ther experience would supply; that every one of them contained elements of self-destruction; that they attained all the perfection of which they were MWOCATE on INTERNAL iiiiiriiovniiriaivéiss. pected from such as may be constructed in coin- pliance with the requisites we have pointed out." These requisites are:—1. A light and strong boiler, exposing a large surface to the fire. 2. Such an application of the power of the steam as will not waste it——it is said that in consequence of the bends in the pipes, &.c., alarge part of the whole power ‘is lost. 3. A different arrangement of the cylinders; or rather, a single cylinder‘ should be used, as it is difficult to make two keep time, and’ the greater surface causes more rapid cooling. 4. An arrangement for siipportingfihe. carriage-body‘ and the whole of the moving machineryiupon per- fectly flexible springs, sov.as to vibrate, freely in every direction, and yet admit of being impelled’ forwards with uniform power and velocity‘. -5. To construct an engine of variable power like‘ that of a horse, which shall proportion its exertion to the resistance to be overcome. In another part of the Magazine, an article upon Taylor’s “ Records of My Life,” supplies some on‘. tertainingextracts from that work. The anecdotes of John Kemble, particularly, with whom‘ poor Jack Taylor", as he was. called,was upon terms of intimacy, afford tliefollowing amusing gossip z--— ‘ I was in the habit of constantly visiting Mr. Kemble‘ on a Sunday morning for many years, and if I saw Vhimin the intermediatedays,’ he always said, ‘5 Taylor, rememberthe liebdomadal.’_’ I found him generally with some book or manuscript before him relative .to his art. Sometimes he was cold, negligent, and less courteous than «at others; and then feeling disgusted, I resolved to forbear my visit the next week; but the pleasure I always found in his company overcame my temporary spleen. He was fond of Dryden, and sometimes read to me pas- sages from that admirable post. I do not think he was a good reader, for he gencrallyrread in a tone either too low or too high. There is obviously but one tone in reading or acting that excites the sym patliy of the hearer, and that is the tone whichfeel. ing suggests and expresses; andksuch was the charm of Garrick, which rendered his acting in tragedy or comedy impressive’ in the highest degree. There were many of Kemble’s visitors who made court in him by telling , him of faults in Garrick’s acting, or of the unsuitableness of his person for some of the characters which he represented: for instascc, Sir Charles Thompson, afterwards Hotham, a respecta- ble old baronet, told Kemble that Garrick always gave him the idea of a little butler. Kemble gene- rally told me what was said to him of this kind, not as appearing to believe such remarks, but to know whether they received a confirmation from me. On such occasions. I never abated my reverence. for Garrick, but always discountenancecl such insidious flattery, and, to the best of my recollection and ability, asserted the wonderful powers of the do. 12? should hardly be I'll go home and , possible to con. ceive so grave a character contemplating new tricks him. I was positively engaged, and In time. “ Well, then,” said he, “ ““d.l' 3- Pfiflloniimel’. It is hardly and escapes for harlequin, clown. _ p 1 He had determined to act Falstafl’; and I was? in t ie green-room at Covent Garden Theatre om Sap urday, when, after. his performance of some charac. tcr which I do not- recollect, three beards were brought to him, that he might choose one for F,;]_ —stafi'. , We were invited to dine thenoxt daywiih the late Dr, CharlesiBurney, Rector of Deptford. Kemble took me in- his chariot, and we talked on the road of his fintended Falstaff. He said that he had resolved to attempt the part, but was afraid that when “he came to the point, his heart would fail him.” A ludicrous incident happened at this dinner._ The Doctor, in helping Kemble to part of a pudding, gave him a very large portion; which induced me to say, “Burney, you do not observe Kemble's rule in your ample allotment to him.”-- " What is that?” said the Doctor. “ Why," said I, “when I last dined with him, I was as lavish as ‘ Taylor, _don’t help so much to an individual, for if you do it will not go round the table.” Being these words in his ; manner, forgetting that he was before me. “Now,” said Kemble. “he thinks he 15 imitating mo—-I appealto the lady.;” and these words he delivered so much in the manner which I had assumed, that Mrs. Barney and the Doctor could not help laughing; Kemble gave way to the same impulse, and I was relieved from embarrassment. I was one night in a box with him when the then. tre was illuminated preparatory to the opening for the season, and a Mr. Rees was employed to give imitations. in order to try the efl'ect of the voice. Kemble was one of the persons imitated; and while the man was delivering an imitation of him, Kern. bla, in a little above a wliisper,-knocking his stick on the ground, said, with perfect good humor, “Speak lender, you rascal, speak louder)’; The man did not hear, nor did Kemble intend he should. POETRY. The following lines, expressive ofdeep and well-founded imlig- nation against the projected “improvement" through Trinity Cliurcli-Yard, are softened down and modified from some which under the title of “The Curse ofthe troubled Dead," we object ad to on Tuesday, as “_zmchrz‘sti'a.nJ’ In using that epithet, Iiowever, we beg the unknown writer to understand us as re- ferring not to the poet, but'.tn the painful impressions produced by the wrath ofthe.nialcdictions.ascribcd to those for whomihe grave ivasnot permitted to be a place of rest. Even as now gi~ vcn, these forcible lines will make strong natures shuddcr:— [Fen THE Naw.Yoni:,AMsiucAN.] parted actor. Kemble always listened to my pane. gyric on his great predecessor with apparent con. viction; but I cannot help believing that he would have liked me much better if I had never seen Gar. rick. « Kemble, with all hisprofossional judgment, skill, and experience, like all other, mortals, was some- times induced to mistake the natural direction of his powers, andto suppose that he was as much pa- tronized by the comic as by the tragic muse. When Icalled on him oneimorning, he was sitting in h-is great chair with his night-cap on, and‘, as he‘ told A ' me, cased in flannel. Immediately after-the cus- tomary salutation, he said, “Taylor, I am studying a new-part in a popular comedy, and I should like to know yeiir opinion as to the manner inlwbich I am likely to perform it.” “As you tell me it is a comic part,” said I; “ I presume it is what you style intellectual comedy, such as the chief characters in Congreve, Wycherley, and Vanburgh.” “‘ What do you think,” said he. "of Charles, in the School for Scandal?” “ VVhy,” said I, “Charles is a gay, free, spirited, convivial fellow.” “ Yes,” said he, “ but Charles is a gentleman.” , He tried the part, but his gaiety did not seem to the town to‘ be of "the right flavor.” It was said by one of Mr. Komble’s favor- able critics in a public print, that his performance was “Cliarles’s restoration,” and by another, that it was rather “‘ Charles’s inartyrdorn)? . ‘ Another time he attempted a jovial rah ish cha- racter in one of Mrs. Behn’s licentious. comedies, i. from which, however, he expunged all the offensive passages; but he, was not’ successsul. I met him one day asI was hurrying home to dress for dinner, abroad; and he strongly pressed me to go and dine with him, alleging that as I’opi(Mrs.~Kemble) was capable; and finally, that successniay yet be ex: THE ORACLE OF THE TO1\IB—'l‘O THE SAICRILI} GlOUS Vl0LA’l‘Ol{ OF ITS SANCTI’l‘Y— “ It is as ifthe dcail could feel The icy worm around them steal, VVitliout the Pbivcr to scare away The cold consumers of their clay."-—Bvitoiv. Hyena, hence ! break not the hzillow'd sod, That covers those whose spirits are with God; There is a deep unearthly awe imprcss’d Where’er the “ dead”. in solemn silence rest, I And black the hand, and hard the heart that dai- Intrude like an apostate J iidas there. . Should the *Lex Talionis in wrath-be sped ’ With justice stern on the monstei-’s head,-— The dust of the parents who gave him birth, -Will hesavagely trampled with common earth; Their boncs—ouce the pillars oi‘ temples so dear, E’cn_lu.- on their ruins 1llllSi.'lO0k with a tear, 'Wfll bcrudely uiicolliifd, and tess'd to the wind, . Tillnot their least trace can his agony find 2- ' : When the wife of his bosom in death shall sleep, ‘On her rest will the vile Itesurrectionist creep, And rending her curse from its liallowld mould, Uncartli it and sell it to Surgeons for gold. Her form, just an-ay'd in the drapery of death, _ And her lips, scarcely cold from their last warm breath, VVill be torn in the lingering" beauty of life, And mangled, unwept-—liy the incrciless knife :- ’ Nay, his sweet little babe, in its waxen repose, VVhile yet with the smile of a cherub it glows, ‘ From its grave by the spade of the slave will be thrown, And its ringlets of gold o'er the pavement be strewn ; Then its delicate limbs will the cartinen drive oler, And laugh him to scorn if he fc1T.r,rn. to deplore, Till his heart, if he have one, is broken with grief, And sliiiildcrs to death as its only relief. '1‘/um, will he he left on the cold earth to rot, Ulll‘llll‘lCtl,1ll‘lSlll'0ll(ll3lI, umvept-uatforgat I ‘For the marble will brand, with its-mem’iy ofyears, The wretch whose corruption mocked picty’s tears, And, hiiscr than heathen l)l1l‘l‘)}ll‘l.’lllS of old,_ Tliroiigli the graves of his foi-e~i‘axJiei~s quarried For gold. \ TRINITY CHURCI-I—YARD. * I‘ An eye for an eye, and a tooth for a teeth.” In connnon arlan I3 .RetriImtinc .Iustice. _ P ‘ C ’ The pit;/Ito others SHOW." out of town, he should be lonely and dull. I told .. Li Tn.-npz'ty show to me-’’_ i and blunders for the b you in distributing a similar dish.‘ Kemblecsaid, . somewhat in the habit of imitating Kemble, I spoke I