3 inches by 11 3/8 inches unused vinyl bumper sticker, upper half is red while lower half is blue. White letters spell "IT'S THE REPUBLICAN DEBT STUPID!". International Union of Painters and Allied Trades union imprint lower right corner. In the lower left corner is small white text reading "Collectors' Holiday, St. Louis, MO (314) 469-8977".
2 7/8 inches by 1115/16 inches unused red and white bumper sticker with white and red writing. The left third of the bumper sticker is red with white letters spelling "DON'T BLAME ME". The right two-thirds is white with red letters spelling "I VOTED FOR McGOVERN". The bottom middle has red letters spelling "OMNIMEDIA P.O. BOX942 ST. LOUIS, MO. 63188".
Letter from Enos B. Moore to his brother on the building of a new boat. He lamented that William's business had been dull. Moore described the progress of building a new boat, and that the rain and wind had been interfering. Despite that, the engines had been built and they hoped to put up the chimneys soon. He concluded that it may take about 3 weeks. He noted that he should be able to get a crew cheaply as crews are nearly starving.
Pamphlet on the advantages of having industrial and commercial facilities in South St. Louis and the usefulness of the Manufacturers Railway to those potential customers.
Photographs of William Ludwell Sheppard prints that depict preparations and practices surrounding Christmas and Thanksgiving. Some of these eight photographs are pieces of the same print that did not fit in the photo frame. The visible dates vary between 1858-1866.
This 19th century illustrated scene shows the people of the colonies and Indigenous tribe members gathered around a table as someone speaks at the head of the table in a room with wooden beams on the ceiling. There are hats and rifles leaning against a dresser on the floor at the right side of the scene.
Photographs of William Ludwell Sheppard prints depicting Christmas and Thanksgiving events. They are primarily showing preparation and celebration. The dates of these prints span between 1862-1873.
Portrait of Auguste Chouteau, one of the founders of the city of St. Louis, by Josef Francisco Xavier de Salazar y Mendoza, after 1784, oil on canvas, 35 inches by 27.5 inches
A document in support of temperance, and sharing theories on lack of regulations and impurities caused by this in liquor production during this time period.